Magdalena frequently works with various crossover-projects involving dance, speech, MusikTheater and performance, for example with Fedra/Hippolytos in in 2019 at The Royal Dramatic Theater in Stockholm. Her chamber opera "Mimì" - comissioned by KammerOperaKompaniet - has been premiered in november 2021 in Stockholm.
Magdalena’s duo Hidden Mother –with Ulrik NilIsson- experiments with scenic music and is well known at European avantgarde festivals. In 2018/19 Hidden Mother was ensemble-in-residence for the Contemporary Music concert series "Min Granne Tonsättaren” and 2021 at Kalvfestivalen in Sweden. Together with the brilliant flutist Camilla Hoitenga she forms the duo Wave Dash~. They debuted in 2019 with pieces written for the duo by Anne LeBaron, Christofer Elgh and Lisa Streich. In 2020 the duo was invited to be ensemble-in-residence at the Robb Composers Symposium in Albuquerque, New Mexico, where they premiered eight more pieces written for them, including works by Lei Liang and Peter Gilberts.
In 2024 Magdalena will premiere Opacities by Alexandra Nilsson - a solo for glass and crystal objects - and duos by André Chini and Frej Wedlund written for her new duo with Mårten Landström, piano.
Magdalena was featured on Swedish radio, P2 in a portrait entitled: “Magdalena Meitzner och Symbolernas Musik" (Magdalena and the Music of Symbols) and received 2021/2022 a working grant by The Swedish Arts Grants Council. She has been giving masterclassesfor percussionists and composers at schools lite University of New Mexico (USA), Royal College of Music (Stockholm, Sweden), Cornell University (New York, USA) and Ballet (Estland).